By Lisa DiCarlucci
The American Ballet Theater drew a diverse audience this past weekend. Whether it was young ballet students or senior citizens who are regular patrons of the company, all came out to see a performance from this very talented group of dancers.
It’s fair to say that Saturday evening’s program at the City Center had something for everyone. The house itself however, left little to be desired with poor sight lines and several failed attempts to keep audience members in their assigned seats. As soon as the house lights went down, most of the entire mezzanine rose and shifted downward in a frenzy for better seats.
The show opened with “Baker’s Dozen” choreographed by Twyla Tharp. This light number was a pleasure to watch as it eased the mind and communicated joy from the dancers to the audience. It is clear that the performers were enjoying themselves, which allows the sense of humor and playfulness of the dance to be conveyed effortlessly. The comedic aspect was by far the highlight of the performance as the dancers shimmied and leaped onto one another’s back. The unconventional spirit of this choreography was delightful.
The following number, “Citizen,” was choreographed by newcomer to the company, Lauri Stallings. This piece was highly unconventional, making use of not only music, but also sound effects of rainfall. The audience seemed appreciative of the creative premise, yet confused. Amidst a sparsely adorned, dim stage, the dancing was beautiful, though unexpected in its rapid fire combinations.
The worst decision Stallings made was the moment that the remainder of the company stepped onto the sides of the stage in street clothing, only to quickly retreat into the wings. It was unnecessary and looked misplaced.
The ABT has paid special attention to the work of influential choreographer Anthony Tudor this season and followed the first intermission with his famous dramatic piece, “Pillar of Fire”. Tudor’s work is the definition of ballet theater, as the piece is not merely a work of dance, but also that of drama, plot and cast of characters included. The emotions of the performers and the story behind “Pillar of Fire” jump off stage and directly into the hearts of the audience. This is a number that if truly felt and experienced.
The final piece of the night was another creation of Tharp; and it appears that, with Saturday night’s performance at least, she can do no wrong. “Brief Fling” was the most high energy number of the night that made the audience sit upright in their seats.
The costumes alone were both funky and eye-catching, designed by noted designer, Isaac Mizrahi. The brightly colored plaid along with the strength of the choreography made a bold statement that left the audience in high energy and wanting more.