By By Mike Fordham

In a world clogged with sensitive guy singer/songwriters, it’s time a female emerged. Tristan Prettyman brings a refreshing voice with her debut album Twentythree. Her acoustic folky-pop style will inevitably draw comparisons to surfer Jack Johnson. The connection doesn’t stop there. Mutual friend G. Love shows up on several tracks, which comes as no surprise since Prettyman was discovered by buddies of Johnson.

For an artist on the rise, Prettyman has high-profile friends. Aside from Johnson and G. Love, the album features performances from Jason Mraz, Ben Harper collaborator Leon Mobley and Norah Jones’ guitarist Jesse Harris. This supporting cast bolsters the album, letting Prettyman find her voice while providing support. “Always Feel This Way” fuses Prettyman’s voice with Mobley’s sensual percussion to form a lulling groove. Mraz’s duet on “Stay That Way” recalls his more serious (and compelling) moments.

As this is Prettyman’s album, it’s essential she shines. Twentythree was recorded live to tape (instead of individual tracks, like most albums), allowing Prettyman to present an honest portrayal. The album excels when it is simply her and an acoustic guitar, as on standout tracks “Electric,” “Melting” and “Song For The Rich.” Prettyman’s lazy but playful vocals and laid-back guitar style work as perfect complements. She can get too relaxed, though, as “Breathe” and “The Story” float away. Like Johnson, her mellow songs end up blending together. At the other end of the spectrum, the bouncy funk-pop of “Please” is much better suited for the likes of G. Love or Mraz.

For a first time outing, Prettyman radiates with promise. She shows originality, along with obvious Ani DiFranco influence. It will take perseverance to get past a “female Jack Johnson” tag, but Prettyman’s on her way to establishing her own presence.

The Chronicle gives “Twentythree” by Tristan Prettyman three 1/2 out of five stars.