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All content by Alexis Friedman -- EDITOR IN CHIEF
Senior send-off: Not a goodbye
Alexis Friedman -- EDITOR IN CHIEF
May 9, 2023
Lost love and self-healing in Ruston Kelly’s ‘The Weakness’
Alexis Friedman -- EDITOR IN CHIEF
April 25, 2023
The candidates behind the 2023-2024 SGA election
Alexis Friedman -- EDITOR IN CHIEF
April 25, 2023
International romantic dramas you need to know about right now
Alexis Friedman -- EDITOR IN CHIEF
March 28, 2023
Rewriting your history at Hofstra
Alexis Friedman -- EDITOR IN CHIEF
February 14, 2023
Stop and listen to your body
Alexis Friedman -- EDITOR IN CHIEF
February 14, 2023
Måneskin’s emotional and musical versatility debuts in ‘RUSH!’
Alexis Friedman -- EDITOR IN CHIEF
January 31, 2023
Hofstra Dance Team dominates on National Stage
Alexis Friedman -- EDITOR IN CHIEF
January 31, 2023
Staff Spotlight: Karla Schuster
Alexis Friedman -- EDITOR IN CHIEF
December 13, 2022
A grand slam on Broadway: ‘Take Me Out’
Alexis Friedman -- EDITOR IN CHIEF
December 6, 2022
‘My Policeman’ just might break your heart
Alexis Friedman -- EDITOR IN CHIEF
November 15, 2022
Chron Critiques: Revolution Noodle Bubble Tea
Alexis Friedman -- EDITOR IN CHIEF
November 8, 2022
Sláinte, ‘Derry Girls!’
Alexis Friedman -- EDITOR IN CHIEF
October 11, 2022
Ana de Armas going ‘Blonde’ is the least traumatizing thing about the film
Alexis Friedman -- EDITOR IN CHIEF
October 5, 2022
Are we in our roaring 20s
Alexis Friedman -- EDITOR IN CHIEF
October 4, 2022
A new type of production makes its home in Studio A
Alexis Friedman -- EDITOR IN CHIEF
October 4, 2022
The Harry Styles Formula
Alexis Friedman -- EDITOR IN CHIEF
September 13, 2022
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