By Mike Fordham
Take a look at your local record store and check out all the tribute discs for a major artist. There’s the bluegrass album, a set by similar artists, a country tribute and the one with all no-name bands. The idea is to re-invent the popular artist’s songs, but as an homage. Phish guitarist Trey Anastasio, however, took matters into his own hands. For the seven-song disc Seis De Mayo, the axeman took Phish cuts and some original compositions, and turned them into instrumental pieces.
Anastasio tries his luck on “The Inlaw Josie Wales” (off of Farmhouse). He opts for an acoustic guitar, and provides a soft, bluegrass-style picking exercise. Violins and other assorted strings lull in and out of the song (courtesy of the Ying Quartet) for a lush experience. No surprise that this originally came from Phish, as this version would fit right in their catalogue. The Quartet returns for “All Things Reconsidered.” The track is nothing terribly special – just a typical string-led classical selection. At least the fluttering “Prologue” is able to stick out due to somespirited flutes.
“Coming To” shows off Anastasio’s jazz prowess. The tune bounces with a slow groove, and proves that Anastasio is not just adept at shredding through a jammy solo. Hartswick adds her tremendous skills on the trumpet as well. She returns for the brassy “Discern (Intro),” which serves as the introduction to the monolithic “Guyute (Orchestral Version).” The song is actually performed by Seattlemusic (a film scoring orchestra). Although expertly performed, the song’s novelty classical edge wears off soon.
The album’s highlight, “Andrew The Giant,” is just great ear candy. A peaceful Carribean vibe sets a soothing and relaxed atmosphere. Bongos and djembes add a playful tone, but what really makes “Andrew The Giant” appealing is the usage of a “balafon” – a wooden xylophone.
Of course, this being an offshoot of Phish, Seis De Mayo should come with the warning of “for fans only.” Those who worship the jamband kings will be thrilled with Anastasio’s latest musical foray. Anyone else should be wary, and perhaps try one of Phish’s or Anastasio’s proper albums (or live discs).
