Conan O’Brien hosted the 98th Academy Awards on Sunday, March 15. “One Battle After Another,” directed by Paul Thomas Anderson, took home the most Oscars with six, including the Oscar for Best Picture....

   This year has been a huge year for horror films. One that stood out was “Black Phone 2,” a sequel to the original 2021 film “The Black Phone.” The first installment of the series was well received by critics and crushed the box office, making over $160 million against their budget of under $20 million. While “Black Phone 2” received a higher budget and a bigger rollout, it also had to deal with lofty expectations. Fortunately, these expectations were not just met but shattered, and it became one of my favorite movies this year.

The imminent release of the highly anticipated return to the “Final Destination” series, “Final Destination: Bloodlines,” calls to mind one of the most iconic aspects of the horror genre: a great, memorable and exciting opening. As horror films rely on sustaining tension and terror for most of their runtimes, it is exceedingly important to introduce said tension and terror in a way that hooks the audience with intriguing storytelling and good scares. Whether or not the film holds up after a fantastic opening is a different story, but even overall duds have the potential to at least provide a thrilling intro. In an effort to spotlight more recent and/or overlooked examples, the unforgettable openings of classics such as “Halloween,” “Scream” and “The Exorcist” won’t be listed.

It has been almost a month since the film “Heart Eyes” released, and it is still as divisive as ever. When reflecting on the long-awaited Valentine’s Day slasher film, the intentionally campy moments displaying what love is in the corniest way possible remains positive. Oftentimes, the movie is terrible and on the nose, but this can be recognized as a deliberate choice by the director and writers.

Though categorically a subgenre, psychological horror has such a wide breadth and variety that it might as well be in a classification of its own. Much horror media falls under this expansive umbrella: from obvious modern examples like “Hereditary” and “The Lighthouse” to classics like “The Shining” and “The Cabinet of Doctor Caligari,” as well as literature including “Dr. Jekyll and Mr. Hyde” and video games like “Silent Hill.”

The sequel to the 2022 horror film “Smile” exceeded expectations and even established itself as the better of the two installments. The film stars Naomi Scott as Skye Riley, a Grammy-winning pop star preparing for her big comeback after battling substance abuse and surviving a car crash that killed her boyfriend, actor Paul Hudson.

Even though the Halloween season has come to pass, and America is gearing up for the holiday season, there is never a wrong time of year to leap out of your seat in fright or relish in whichever immaculately crafted bloodbath spills out in front of you. As expected, October saw a deluge of horror titles slash into theaters or people’s homes, and many of them turned out to be terrific additions to what is already a very strong year for the genre. There’s something for every kind of horror fan here: a shockingly superior sequel to one of the biggest box office surprises of the post-pandemic industry, what is possibly the best entry in a long-running franchise’s four-year streak of resurgence and a thrillingly original and stylish Sundance hit.

You may remember seeing a vivid retelling of Edgar Allan Poe’s “The Raven” in your middle school English class, where Homer Simpson plays a disturbed and lost lover haunted by Bart the raven. What you may not know is that this very episode is what ignited the tradition of annual “The Simpsons” Halloween episodes that parody classic horror films and supernatural spooky tales.

It’s difficult to put into words how insane the third installment of the “Terrifier” franchise is. The film has dominated the box office, becoming the highest grossing non-rated movie in film history, according to a tweet from writer and director Damien Leone. 

As October comes to a close, there’s no doubt that viewers will be dying to check out a variety of horror films in the spirit of Halloween. Fortunately, 2024 has yielded some of the scariest films in recent years, and while major success stories like “Longlegs” and “Alien: Romulus” deserve to be in conversation, there are quite a few titles that were poorly managed by their studio or had too small of a release to make that much of an impact. To give them the recognition they deserve, here are some reviews of those films. 

There are very few genres of film (specifically horror film) that are more divisive than the so-called “found footage” category. Ever since the Italian exploitation classic “Cannibal Holocaust” sparked a frenzy in both the media and the court of law in 1980, viewers have showered this unique subset of cinema with both healthy praises and much-needed criticism. Though there is more than a handful of lazily conceived and poorly-crafted misfires, the staggering amount of genuine cleverness, commitment to authentic tension-building and sometimes sheer innovation that found-footage films can offer, makes all the ridicule and malice directed towards them unfair and even puzzling.

After 36 years, the sequel to Tim Burton’s iconic 1988 classic, “Beetlejuice,” finally hit the screen on Friday, Sept. 6. Did “Beetlejuice Beetlejuice” live up to the hype?